PIAZZA VECCHIA
Considered one of the loveliest squares in the
entire Piedmont region, it was built over ancient structures. Its
irregular and elongated shape is due to the numerous
transformations over the years when the buildings were
incorporated. It dates back to the thirteenth century, when
Savigliano became a free commune and the noble families who had
moved there settled around this central area, building fortress
dwellings facing the square. The arcades did not exist in
antiquity, and there were two-storey buildings with shops on the
ground level. With the communal ordinance of 1470, work commenced
to reorganize the square, which had become the administrative and
economic heart of the town. New buildings were constructed in front
of the existing façades, thereby narrowing the large area:
even today, some of the old façades are visible along the
internal walls of the houses.
In the fifteenth century the commune conducted renewal work, with
regulation of the market and advancement of the buildings, opening
the arcades and constructing new façades. Other
transformations occurred in the seventeenth century, particularly
with the construction of loggias, and in the nineteenth and
twentieth centuries, when the façades were given a uniform
appearance.
The monumental arch - still visible today - was
built in 1585 for the visit of Charles Emmanuel I.
The ancient Palazzo Comunale, built in the thirteenth century close
to the city walls, stands in the south-west corner of the square.
The building originally had an atrium with a room on the ground
floor, a large council room on the first floor, and a tower. In
1484 masonry vaults were added to the rooms and in 1489 the room on
the lower floor was walled off towards the exterior and a balcony
was added on the side facing the square; the balcony was rebuilt in
1873. In 1929 the edifice became the headquarters of the prefecture
and the district prison, which remained there until 1976.
In recent years, following major preservation work to restore its
architectural appearance, the building was turned into a tourist
information centre and a multipurpose hall, and part has been
occupied by private housing.
Lovely dwellings line the square, such as the Casa Pasero, at No.
52, dating to the second half of the fifteenth century, boasting
typical marble columns and a rich wooden ceiling, and the house at
No. 63, which takes up the architectural models of Asti, with
elegant windows framed by cornices in light sandstone and red
terracotta.
To the side of the square, close to the ancient municipal building
and on what was once the site of an octagonal chapel, is the
monument commemorating Count Santorre di Santa Rosa, a patriot and
hero of the uprisings of 1821. The monument, erected by the
municipal administration, which commissioned the sculptor Giuseppe
Luchetti Rossi, active in Rome, was finished in March 1869 and
inaugurated on 22 August of the same year. Ten years later the
piazza was named in honour of Santorre di Santa Rosa.
In the 1990s major architectural restoration work was done in the
area, which was also pedestrianized.